recording Archives - CRAIG WESTWOOD Mon, 09 Mar 2026 00:50:37 +0000 en-GB hourly 1 https://wordpress.org/?v=6.9.4 https://www.craigwestwood.co.uk/wp-content/uploads/2026/03/cropped-CW-Roundel-1-32x32.png recording Archives - CRAIG WESTWOOD 32 32 In Progress https://www.craigwestwood.co.uk/in-progress/ Sun, 22 Feb 2026 12:44:00 +0000 https://www.craigwestwood.co.uk/?p=801

People who know me well, know that the music never stops really. There's always something that I'm pursuing towards the next song or the next instrumental, whether that's learning a new plugin, getting to grips with a new piece of recording equipment, just practicing a tricky new piece of music ready to record or play […]

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People who know me well, know that the music never stops really. There’s always something that I’m pursuing towards the next song or the next instrumental, whether that’s learning a new plugin, getting to grips with a new piece of recording equipment, just practicing a tricky new piece of music ready to record or play live, or simply just all of the above.

On the recording front, I’ve been putting together the next new release, which is a compilation of four songs from the partnership with my friend, the late John Ward Helliwell. These are very near finished now, just some sleeve notes and visuals to sign off with John’s family, and to release them out into the world as an EP.

John wrote the words in the late 80s, when we both worked in Huddersfield, and we used to commute to town on the same bus from our digs near Denby Dale. Here our discussions began about music and my songs in progress, and it was here that he offered to take on some of my more ‘difficult’ pieces.

John Helliwell

The saddest part of this though, is that I can’t talk to John and include his version of events on the sleeve notes, and perhaps gain more insight into the deeper meanings behind each of the songs he wrote. I have interpreted them, of course, when I came up with the music, and so they stand up for themselves, to some extent, but it would have been good to hear his back-story also.

Coming very very soon…

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Building a New Studio – Part 1 https://www.craigwestwood.co.uk/building-a-new-studio-part-1/ Sun, 10 Jan 2021 14:44:00 +0000 https://www.craigwestwood.co.uk/?p=632

Buying a house in France that has been vacant for four years has had its issues. Happily most of them are superficial, and involve mostly decorating and some minor refurbishment to get the house to what we we'd like.

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Buying a house in France that has been vacant for four years has had its issues. Happily most of them are superficial, and involve mostly decorating and some minor refurbishment to get the house to what we we’d like.

The first issue is that I’m here on my own. Problems with Claire’s Dad’s failing health has meant that she has wanted to be with her parents in the UK. Though originally she talked about coming out of teaching by December, she has now decided she wants to stay on for another year and a half until she is 55.

So – I’m working on the things I can… especially the studio. The space I’ve got is interesting, but not everything is practical…

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Update https://www.craigwestwood.co.uk/update/ Tue, 26 Mar 2019 19:43:00 +0000 https://www.craigwestwood.co.uk/?p=692

It's been a while since I posted, and I have no real excuse... Folks that have been following on Instagram have been getting the most spoils, and there's a column feature from my instagram feed on the right of the blog page (or scroll down if you're looking at this on a mobile phone). Basically, […]

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It’s been a while since I posted, and I have no real excuse… Folks that have been following on Instagram have been getting the most spoils, and there’s a column feature from my instagram feed on the right of the blog page (or scroll down if you’re looking at this on a mobile phone).

Basically, I decided I wanted to try and master one platform at a time, and specifically Instagram, though I’m beginning to conclude that social media probably is better tackled en-masse with more automated tools. I didn’t want to succumb to the ‘bots’ just yet, and wanted to try and engage with my audience, which with IG has been quite successful, I think.

Anyway, with my upper arm injury taking a while to heal properly, I’ve had to kerb the gigging for a while and it felt better therefore to concentrate on recording songs. This is something I can do in short bursts, and I can rest the arm if it’s beginning to cause problems.

Just this last week or so I have been recording a new song, called Whispers of Home. It’s a bit of a homecoming song, with my guitar tuned to a weird drop C ‘Joni-style’ with some lovely ‘sus’ chords I haven’t the brain to figure out yet (!!). I’ve enlisted the services of Emily Dolan Davies again, who’s come back to me with a really superb set of drum stems…. 46 in all… including layers of percussion with every shaker she could find, tambourines, and some over-dubbed brush snare parts too! Fantastic work, and I can’t wait to get this one out there. I’m still looking for a bass player for this, and will keep you posted on when this happens.

Toodle-pip. Stay creative, folks!

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Progress at Last https://www.craigwestwood.co.uk/progress-at-last/ Thu, 05 Apr 2018 13:59:00 +0000 https://www.craigwestwood.co.uk/?p=834 I finally am beginning to make progress with the album, after a long stall. Basically, and I guess because my contract with 360 Artist Development had come to an end, and he'd lost interest in progressing my tracks, I wasn't getting anywhere fast with Matthew and was waiting for months to get studio time to […]

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I finally am beginning to make progress with the album, after a long stall.

Basically, and I guess because my contract with 360 Artist Development had come to an end, and he’d lost interest in progressing my tracks, I wasn’t getting anywhere fast with Matthew and was waiting for months to get studio time to mix the tracks that I had.

In the end, I’ve come away with very little: five tracks, none that I’m completely happy with, and none of them ready to master (as was promised) in the contract. 

I arranged one final session in Matthew’s now finished full studio, originally to finalise the five tracks, but instead, I took along an SSD drive and just asked him to give me all of the stems from the Cubase files, and then after this the Cubase files themselves. So the rest of the two-hour session was Matthew exporting tracks for me to take away.

Many of these stems are painfully quiet, so I’m unsure how much of them I can use. I’m left with the decision to get hold of a copy of Cubase to re-export the tracks again. I’m happier though that the tracks are under my control, and I believe that I’ll make better progress with them than under the control of someone who didn’t really have my interests at heart.

As I write this, it’s 2 years since I began seeking help in developing my songs into product. And a frustrating road it has been.

I was due back in the studio yesterday with Andrew, which has been postponed, as his daughter is ill. 

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Vocals complete (I think)… https://www.craigwestwood.co.uk/vocals-complete-i-think/ Tue, 22 Aug 2017 10:37:00 +0000 https://www.craigwestwood.co.uk/?p=852 Audacity is finally completed. Had a great session over at Matthew's last Friday afternoon, and the final double-tracked vocals slotted into place after our usual warm-up beforehand.We had a bit of time to review a couple of the other songs too, in particular I wanted to add more seriousness and weight to the arrangement on Daytime. […]

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Audacity is finally completed. Had a great session over at Matthew’s last Friday afternoon, and the final double-tracked vocals slotted into place after our usual warm-up beforehand.

We had a bit of time to review a couple of the other songs too, in particular I wanted to add more seriousness and weight to the arrangement on Daytime. I’m concerned that because I’d chopped it and speeded it up slightly (to make it shorter, on Matthew’s advice, and more commercial) that it’s lost it’s impact. My original ‘demo’ version, recorded at Rick’s (Rooster’s) used a droning synth bass (Rick’s Yamaha TX81Z), that I’d like to try and recapture somehow. I have a TX81Z, so I’ve asked Matthew to send me a mix track without acoustic bass to try out the TX with the new arrangement.

Reviewing all the mixed material at home, I’m still wanting to tweak the backing vocals on Nonsense Song. Again I’ve asked Matthew to send over a mix with an isolated track of the backing vocal so I can try some ideas out over here.

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Still recording… https://www.craigwestwood.co.uk/still-recording/ Fri, 11 Aug 2017 16:50:00 +0000 https://www.craigwestwood.co.uk/?p=854

I was over at Matthew's yesterday, putting the backing vocals onto Audacity. I had elected to multi-track the backing vocals, a three-part harmony that I'd worked out, but to double-up each vocal to add some fullness to the backing, and to add more potential for a wider stereo spread in the final mix.We got most of these […]

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I was over at Matthew’s yesterday, putting the backing vocals onto Audacity. I had elected to multi-track the backing vocals, a three-part harmony that I’d worked out, but to double-up each vocal to add some fullness to the backing, and to add more potential for a wider stereo spread in the final mix.

We got most of these done in the hour-long session, though my voice was straining a bit towards the end, and I’ve had to defer the last harmony to another session next week, as my throat was getting really raspy by the end of the hour. Seems I’d left the hardest part till last, the middle harmony, which just touches upon that part in my range where it begins to go into falsetto.

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Shocking News… https://www.craigwestwood.co.uk/shocking-news/ Fri, 05 May 2017 14:37:00 +0000 https://www.craigwestwood.co.uk/?p=860

Mixing courseA couple of weeks ago I tried logging onto the mixing course website to complete my final module of the course. The site returned a 404 (site not there) error. I texted Matthew to get the reply that that part of the business has closed. Anyway, after messaging back my disappointment that day, Matthew, some 3 days […]

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Mixing course

A couple of weeks ago I tried logging onto the mixing course website to complete my final module of the course. The site returned a 404 (site not there) error. I texted Matthew to get the reply that that part of the business has closed. Anyway, after messaging back my disappointment that day, Matthew, some 3 days later, did send me the assignment files so I could at least complete the final assessment mix. I’ve not had chance yet, with having to re-arrange my studio-space recently, but I will do this as soon as the audio equipment is re-wired.

Performance

I have also been chasing Andrew all week about getting one more live coaching session before the Batley Taproom night in June. I sent him a text requesting a meeting with both him and Matthew, to find out what was going on. Within a few minutes he rang me to tell me that his partnership with Matthew has dissolved, and that Matthew is now running 360 on his own. This was quite a shock. I had some slight vibe that things weren’t right here, you know, just a few little things that had cropped up in conversation, but the lack of communication was obvious. Andrew now is still working with 360, but as a subcontractor, so all bookings now are handled by Matthew.

This is a relief, as I was thinking for a while that the whole company had ceased.

So – now that my year’s contract has come to it’s end, I was perhaps fearing the worst, that I wasn’t going to have anything to show for the year’s investment.

While the experience gained this last year has been life-changing, until the major part of the contract is fulfilled, i.e. the five tracks, then I have no reason to renew my contract with 360, as their commitment is still incomplete.

I have since spoken with Matthew, and he still seems determined to complete the mixes and mastering as soon as possible. He is building a new studio, and though it’s possibly a month or two away from completion, and it would be a benefit to have final mixes done in it, I would rather be in possession of my five tracks now to market and progress the music further and have something to show for my efforts. We’ve also talked about getting a photographer to do some promo shots.

The story continues…

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Studio Session https://www.craigwestwood.co.uk/studio-session/ Mon, 17 Apr 2017 20:55:00 +0000 https://www.craigwestwood.co.uk/?p=863 Had a longer than usual session in Matthew's studio today... In particular, I wanted to tackle the horns section in Nonsense Song which, once the instrumentation had been swapped in favour of Matthew's superb horns set, the dynamics had altered, and I needed to tweak nearly every phrase. Although Matthew had done a stirling job of trying […]

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Craig at the Desk - 360

Had a longer than usual session in Matthew’s studio today… In particular, I wanted to tackle the horns section in Nonsense Song which, once the instrumentation had been swapped in favour of Matthew’s superb horns set, the dynamics had altered, and I needed to tweak nearly every phrase. Although Matthew had done a stirling job of trying to interpret my crude instructions, it was more efficient to give me hands-on and let me tweak the piano roll, as I just knew the ‘feel’ of the track, and it was something I just couldn’t articulate, much as I tried. Anyway, he took this photo (above) of me getting my hands on Cubase, for the first time in many years.

We also went through this, and the other four tracks, and Matthew made notes as we played them through and commented on overall sound, and corrections to be made to the mix. They are all coming together I feel, and the changes needed now are fairly minor. 

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Daytime – Studio Session https://www.craigwestwood.co.uk/daytime-studio-session/ Fri, 03 Mar 2017 10:14:00 +0000 https://www.craigwestwood.co.uk/?p=866 Another really good session at Matthew's yesterday. Hampered a little by the traffic getting across, and it was an interesting detour getting there and avoiding the tailbacks on the M62. Anyway, we got two takes of guitar (pictured) and two vocal takes also in the time that remained. There's nothing like a bit of time […]

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Craig recording "Daytime"

Another really good session at Matthew’s yesterday. Hampered a little by the traffic getting across, and it was an interesting detour getting there and avoiding the tailbacks on the M62. Anyway, we got two takes of guitar (pictured) and two vocal takes also in the time that remained. There’s nothing like a bit of time pressure to bring out a tight performance!

We’re doing a new version of Daytime, almost 30 years old (for me), but a murder story, quite dark really. I’m looking forward to hearing it come together, with some real drums (360’s guy in Nashville again), and bass.

Keep watching this space…

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Recording Session https://www.craigwestwood.co.uk/recording-session/ Mon, 13 Feb 2017 18:22:00 +0000 https://www.craigwestwood.co.uk/?p=873 Went across to Matthew's today for the first time since early December, being ill for most of December, and since my recovery he's been away most of January on holiday.We played and reviewed all the tracks so far: Watching the Rain, Nonsense Song, Get Out of This and a bit of Audacity.First was Nonsense Song. In general […]

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Went across to Matthew’s today for the first time since early December, being ill for most of December, and since my recovery he’s been away most of January on holiday.

We played and reviewed all the tracks so far: Watching the Rain, Nonsense Song, Get Out of This and a bit of Audacity.

First was Nonsense Song. In general I thought the vocals were too harsh, and I had to tell Matthew how unhappy I was with my performance of it. I think it was at the beginnings of my throat virus, and it showed in the performance. Hard to put my finger on it, but anyway, we’ve re-recorded the main vocal again, and I think it is sounding a bit ‘sweeter’, and doesn’t detract from the light-heartedness of the song. 

I sat with Matthew while he mixed Watching the Rain. There were certain parts that were clashing for me, and these I’ve just made sure that he was aware of these parts in the production. Not huge changes, but a couple of subtle things that weren’t sitting right. He didn’t go on to complete the mix, but just saved the changes, so I’ve yet to hear the completed mix with those changes in place.

Lastly, we recorded the vocal and backing vocal for Get Out of This. We’ve recorded three ‘takes’ of the main vocal, so that Matthew has three performances he can select to get the best out of the performance. Then we did a couple of overdubs, recording short phrases that allowed me to experiment and vary the phrasing on these, and then the little backing vocal phrase to finish. It’s now up to Matthew to come up with his ‘best cuts’.

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Adding ‘live’ drums to your tracks… https://www.craigwestwood.co.uk/adding-live-drums-to-your-tracks/ Mon, 06 Feb 2017 17:53:00 +0000 https://www.craigwestwood.co.uk/?p=876 It's been a while since I last posted. Many things going off in my life at the moment, and the music being just a part of it. Anyway, the story so far...We've recorded Watching the Rain. The mix is progressing, but it's not quite there yet. There's a couple of little bits that I'd like […]

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It’s been a while since I last posted. Many things going off in my life at the moment, and the music being just a part of it. Anyway, the story so far…

We’ve recorded Watching the Rain. The mix is progressing, but it’s not quite there yet. There’s a couple of little bits that I’d like to improve, so Matthew’s letting me sit with him in the studio to go through the parts I’m not happy with.

We’ve recorded Nonsense Song. The vocal is too harsh on it, this is because I recorded it at a point in time when I was coming down with a throat virus, that ended up taking me out for 4 weeks or more (and right over Christmas too…). The throaty vocals have made it sound to me like it’s an attempt at a punk record. I’m not sure at this point what we can do with it.

We’ve begun recording Get Out of This, and one of two new songs: Audacity.

For both of these we’ve recorded guitar at Andrew’s place this time, while Matthew was away, and then afterwards Andrew has commissioned a drummer who’s got a drum-studio setup in Nashville. He’s put a number of tracks down now for Get Out of This. We’ve had to go to 3 takes over this one, and that’s more due to my having a 30 year old song. When you’ve had 30 years to think about it, it kind of goes a certain way in your head, and it’s difficult to imagine a different drum pattern. I wanted real drums on the track, but the ‘virtual drums’ I had were pretty much what I wanted to be played; I just wanted the ‘robotic’ element (that all drum machines have) to be removed.

There is no doubt to me that, despite the repeats and the re-work, having a real drummer really adds something to the mix. I can’t wait to hear the track completed. We still have vocals and keyboard instrumentation to do yet.

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Recording Course https://www.craigwestwood.co.uk/recording-course/ Wed, 07 Sep 2016 20:36:00 +0000 https://www.craigwestwood.co.uk/?p=887 I haven't really written anything about this yet, but I've just completed the final week 8 of the Songwriting School's Recording Course. Now, I already have a DAW (Digital Audio Workstation) in Apple's Logic Pro, and I have a few key pieces of recording gear to go with this, but in light of previous feedback from […]

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thesongwriting.schoolI haven’t really written anything about this yet, but I’ve just completed the final week 8 of the Songwriting School’s Recording Course. Now, I already have a DAW (Digital Audio Workstation) in Apple’s Logic Pro, and I have a few key pieces of recording gear to go with this, but in light of previous feedback from Matthew and other music producers, there were real gaps in my knowledge and this needed addressing. Matthew thus recommended the course that he runs on the Songwriting School website.

Now I have to say, that the first three weeks of the course were very familiar to me, simply because they covered the basics: how to set up your studio for recording;  speakers and microphones; and recording MIDI in particular. Anyway, I dutifully went through these weeks, and where there were testing questions, I answered them confidently…. and got a couple wrong, I admit. This is the disadvantage of being self-taught. So by the end of this I feel it filled in the gaps nicely. The real eye-opening part of the course for me was the guitar recording part, and this really got me thinking again about the way I’ve been recording my guitars up until now. The great advantage of having an acoustic guitar with transducing pick-ups is it’s immediacy in being able to just plug it in and record away; the disadvantage of this is the quality of sound it produces is limited to the quality of the pick-up, and this can never match the quality of a good high-end condenser microphone, placed correctly to get the whole spectrum of sound of the guitar, not just the electronic signal from the pick-up.

Week 7 was really the key part of the project: the practical. It was my chance to show what I’d learned and put my new skills and knowledge into practice. I decided it was worth doing a new piece, as there was no point in going over old ground and making it too easy for myself; these needed to be real problems and not things I’d faced before. This posed me a new set of challenges for every instrument I recorded. In the end I picked new song Waiting on the World to try and give it some of the new guitar recording techniques I’d been studying.

Here’s Matthew’s comments:

Final Project:

Craig, this is an outstanding effort and you should be very proud of what you have achieved.

You have a lovely use of stereo in the guitar recording and the guitars are full sounding and shows that your mic placement was well thought out and successful. There are no phase issues that I can hear.  The drums come in musically and the use of cymbal is well placed.  It is difficult to hear the drums generally and you may wish to consider whether the kick drum sound would benefit from layering, or some more compression to make it ‘kick’ better.  You have followed the instructions of setting up the virtual instruments well.

The recording is clean and your fades are perfect.

The use of compression and reverb is appropriate for the musical style. Perhaps not for this track but generally speaking don’t be afraid to experiment with effects – sometimes you can do something crazy and get a really excellent effect from it and the more you use your plugins the more you will gain confidence at knowing exactly how to get the sound you have in your head each time.

Your backing vocals really lift the track at the right point and nicely compliment the main vocal.

This is the best final project I have had the pleasure of marking.  Because I know how you have recorded in the past, I can hear that you have really taken on board everything from this course and put it into practise in a way that has vastly improved your recording skill.  I thoroughly look forward to your work on the mixing course.

Anyway – I’m really encouraged by the feedback. It’s given me a real positive look forward to the mixing course coming next. Again, I think some of the knowledge will already be there, but again I’m feeling confident that the gaps in my knowledge and some of my inherited ‘bad habits’ will hopefully be addressed.

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Studio Session 2 https://www.craigwestwood.co.uk/studio-session-2/ Wed, 27 Jul 2016 19:19:00 +0000 https://www.craigwestwood.co.uk/?p=896 I have to say how much I am beginning to enjoy these sessions in the studio with Matthew. It's great to be able to bounce ideas off  him and get feedback when I ask the odd technical question. Last week was the guitar session. This went very well indeed, and we had good time for […]

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I have to say how much I am beginning to enjoy these sessions in the studio with Matthew. It’s great to be able to bounce ideas off  him and get feedback when I ask the odd technical question. Last week was the guitar session. This went very well indeed, and we had good time for Matthew to demonstrate some of the layered vocal work he was doing on another couple of tracks.

Today’s hour-long session was to add my vocal track to Watching the Rain, and we did several ‘takes’ to allow Matthew to choose the best bits. Once little thing that wasn’t comfortable was Matthew’s insistence on me pronouncing all the words with what, by the end of the session, I was calling my “best BBC” accent. To me it felt a bit forced, and didn’t come natural to me at all. I’m the product of my upbringing, and my accent is somewhat a ‘hybrid’ of Midlands, Sussex and Yorkshire, and though I’ve never had to analyse it before, I tailor the sounds of my voice – including the accent – to fit the song. However, again, as it’s the first song I’ve done with 360, I’m letting Matthew run with this and wait to hear the result. It’s a strange feeling though, not being in control of the arrangement.

We used up the entire hour today, and so I need to be called back to do the backing vocal, so there’s at least one more session to do on this song. So far I haven’t heard any strings on the backing track, so this is either something Matthew is dropping, or is yet to introduce.

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First recording session https://www.craigwestwood.co.uk/first-recording-session/ Thu, 19 May 2016 09:47:00 +0000 https://www.craigwestwood.co.uk/?p=924 Finally got in touch with Andrew last Tuesday, who texted me to say that he and Matthew were starting to record the tracks the next day... "Hang on a minute..." I thought, "...where do I fit into all this?" Turns out they were planning to do the session without me. Anyway, I promptly texted back to […]

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Finally got in touch with Andrew last Tuesday, who texted me to say that he and Matthew were starting to record the tracks the next day… “Hang on a minute…” I thought, “…where do I fit into all this?” Turns out they were planning to do the session without me. Anyway, I promptly texted back to voice my desire to be included in the process, after all, these are my songs, and I want to be involved in the sessions. So it was then re-scheduled for Friday morning. I have to say that I’m used to having complete creative control, and “letting go” is very difficult.

Once I arrived on the Friday morning, it was revealed that some of their ‘artists’ don’t actually get involved in the recording side of things at all, they just turn up and sing, and let Matthew and Andrew sort out the rest. Now I’m not that kind of person at all: I’m a very ‘hands-on’ guy, and especially since to date I have recorded all my own instrumentation. Still, I have asked for them to tell me when they are next scheduling in sessions, and to invite me along.

So – We started with the track I had sent across to Matthew: Watching the Rain. He has put all of the audio tracks I’ve exported into Cubase, and roughly mixed them. Then he had Andrew, with his steel strung acoustic, playing layered guitar over my backing track.

First impressions: I must say, Andrew’s style of playing is more than a little different to mine. I just got the impression that he felt restricted with me being there, listening to him playing along to my DI (direct input) guitar. It sounded a little awkward with Andrew trying to emulate my style of finger-picking. At one point Matthew asked me to record my guitar part again over the top of Andrew’s parts using his steel guitar, but he faded this low into the mix, so I’m not sure if he really wanted to use this, but perhaps it was an attempt to include me in on the session. I really felt that they just wanted to record all of the session themselves, and I was in the way.

Anyway, with several layers guitar parts recorded, strummed, some flourishes added, a few other textured guitar playing, mostly double-tracked, and with time running out (I think they’d only scheduled in and hour and a half, and this was running to two hours), Andrew started to play cajon over the guitar, quite a vigorous pattern of playing that, to me, didn’t suit the ‘feel’ of the piece. All the time in the session I found myself saying “Keep this gentle… Keep this simple…” as it’s a gentle song. Again I feel they have other ideas for this. 

Anyway, to save us clashing here, I have concluded that I will let them run with this one. How else am I going to find out what they’re capable of? At the end of the day though, I’m here to learn the processes, and to pick up the recording and mixing side of things for myself. The recordings then are a bonus. I guess if I want to record my music in my own way, then I can still do this at home.

Further to this session, Andrew has asked me if I want to work on my live performance. My task for this week is to come up with some covers that I might want to play at an ‘open mic’ night… I told them that my last stage performance (some 30 years ago) was pretty disastrous, and this put me off performance. I said I wanted to work on building some confidence first.

Neither Matthew nor Andrew are very much about prompting students to book sessions, I’m starting to learn that it’s very much you having to chase them, rather than the other way around… 

Addendum to this entry is that I’ve contacted Andrew and now booked a couple of lessons, to work on stage performance coaching, and I have an open mic to visit and watch next Monday evening… I guess it pays to not be afraid to chase people up!

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More Songs https://www.craigwestwood.co.uk/more-songs/ Sat, 07 May 2016 11:22:00 +0000 https://www.craigwestwood.co.uk/?p=929 Well, it's been a couple of weeks since my first singing lesson, and I've had to rest the throat a bit, swallow more than a bottle of Manuka Honey (a spoonful at a time, in intervals) and generally wait until the voice has returned and the coughing and soreness has stopped. Meanwhile I've been editing […]

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Well, it’s been a couple of weeks since my first singing lesson, and I’ve had to rest the throat a bit, swallow more than a bottle of Manuka Honey (a spoonful at a time, in intervals) and generally wait until the voice has returned and the coughing and soreness has stopped. Meanwhile I’ve been editing some of the tracks down and have successfully got most of them down to around 4 minutes, except Daytime, which even with severe chopping is still 4:35. I’m not sure I even like it as short as this, but it may grow on me…. We’ll see.

Matthew contacted me just over a week ago (28th April) to ask me to send over my first song. We’d agreed on Watching the Rain last time we met.  I have exported my audio tracks from Logic Pro (they use Cubase over at 360AD) and supplied the MIDI tracks as well if they want to use them. Matthew also asked me for a lyric and chord sheet (although I had to admit the chords were in my head, so I had to go away and write them down….!).

Dropbox came in very handy here for file transportation… It is definitely the best way to send large files like this, and has proven invaluable already. Anyway, all is now quiet. I have no idea what they are doing with the track now… Guess I will have to prompt for feedback soon…

The creativity never stops though… I’ve just written and recorded two new songs at home: ‘Lost and Found’, a bit of a war story, and a catchy tune called ‘Only the Good Ones Go First’, which is a quirky but slightly upbeat song (!) inspired by all the recent celebrity deaths, as well as the passing of a friend, rather in the vein of Loudon Wainwright III or Billy Joel’s ‘Only the Good Die Young’. The latter song I may submit up to Matthew as an alternative to Daytime, but we’ll see what he does with Watching the Rain in the meantime…

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